Video Tutorial: Embossed Stone Texture; Paint Effect

Welcome Back

Texture paste is a fantastic way to add texture and dimension to art projects. Today’s tutorial will combine a variety of textures and colours in a simple but effective way to create a stone like effect. A great way to try texture paste for the first time.

You Will Need

• Daler Rowney: Texture Paste
• Embossed cardstock (I used 300 gsm card embossed in a Cuttlebug with my favorite folder)
• Jar of water
• Rag
• Sponge
• Royal Langnickel: K4 Palette knife
• Heavy weight cardstock
• Mount board or chip board
• Palette
• Winsor & Newton: Galleria Acrylic Paint; Paynes Grey, Burnt Sienna, Raw Umber

Method

• You will need a piece of dark embossed cardstock. I used a piece of 300 gsm card, which I embossed using a Cuttlebug die cutting machine and my favorite embossing folder. You could also use textured wall paper if you wish. (see my other videos for how to emboss cardstock. I’ll add link at the end).
• Apply a layer of texture paste over the whole of the embossed surface of the card. You don’t need too heavy an application, you still want to be able to see the embossing through it.
• While the paste is still wet, apply bubble wrap over the card stock and pull it up off the piece, this adds light texture. For a less uniform pattern, you could also use plastic bag to dab on to the surface.
• Allow the paste to dry overnight. Drying time may be faster if you have a thin application or are in a warm climate. Do not force the paste dry with a heat gun. (Oh ok, just a little but only if you have a gentle one and DON’T over heat it.)
• Apply paynes grey gently over the high areas of the embossing, this will bring out the pattern and also the texture.
• Allow each colour to dry before you add the next or they will blend rather than layer
• In a few places add some Burnt Sienna
• In a few places add some Raw umber, this is also useful to tone down any overly bright areas.

When you are happy with the look, allow all the layers to dry fully and then glue the finished piece onto sturdy card such as mount board or chip board.

Options/Added Extras

For a more distressed darker look, add extra Raw Umber around the edges of the board.

If you find it gets out of control and you have heavier applications of colours that you don’t like (yes this happened to me! when I tried this on a larger piece). Water down your Paynes Grey on the palette and apply a light colour wash over the piece. Dab into it using the rag, to vary the depth of tone.

Here’s what that does to your piece.

Grunged version of embossed stone

Experiment with different tools to apply your texture paste and different mark making items to vary the textures you get. It’s so much fun to put a layer down and see what you can do with it. The texture paste is quite forgiving as long as you put it onto a sturdy surface. Use it on mountboard to have more ‘fiddle’ time, without the tearing the card apart. I do sometimes experiment till a card gives up (not always intentionally) but that’s a great way to learn.

Here’s the book I made with my panel to store my sketches in.

Embossed stone book

Have fun experimenting and I’d love to see what you create with texture paste, do leave me a comment and show me what you have made.

Links

• Daler Rowney
• Texture Paste Review

Best wishes and thanks for reading see you soon

Billie

Adventures in Acrylics: Online workshop

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Product Review: Daler Rowney; Texture Paste

Welcome Back

In today’s post I will be reviewing; Daler Rowney Texture Paste.

Daler Rowney; Texture Paste

Product Details

• Manufacturer/Brand; Daler Rowney/ Cryla
• Item number: 128250017
• RRP at time of writing: £7.50 from SAA

Purpose

‘Quote from Daler Rowney Packaging’

• Builds heavy layers of texture in fine art and craft work
• Directions: Apply with a knife, stick or stout brush to any grease free rigid surface. Including wood stone unglazed ceramic, MDF and cardboard or shape with modelling tools. On flexible surfaces eg stretched canvas, use up to 1/1 with Daler Rowney Impasto gel matt medium.
• Drying times vary according to conditions. Fill any cracks in very thick applications with more texture paste or Daler Rowney Impasto Matt medium. Sand, carve  and over paint with acrylic colours as required.
• Suitable for acrylic painting.

Reason For Buying

I had ideas for dimensional projects using modeling paste-but that dries slightly soft. When I saw this demonstrated on Creat and Craft, I pounced on it, as this does the kinds of things I wanted to do. It also looked like it dried much harder.

Pros/Cons

• Can be used alone for a white finish
• Builds textures and dimension. Great for faux stone like finishes
• Mixes with colours for a coloured ground
• Dries overnight
• From the jar it is white, so ideal to paint over
• Stamp into it while it’s still damp for debossed effects
• Easy to clean tools in water, clean immediately so the paste doesn’t dry on your tools
• No smell, other dimensional products have had harsh ammonia smell, but there is no smell with this product YEY!!!!
• Use with stencils and over textured paper for effects

Cons

Haven’t got any, its done all I asked of it and more

Build Quality

Excellent, It really holds shapes you press into it or create with it and mixed with colour or over painted performs superbly.

Value for Money

Just the beginning, a few samples made after only an afternoon with texture paste!

Texture paste is excellent value for money, it is such a versatile exciting product. These are samples from just two afternoons playing with texture paste for the first time. Tutorials are planned 

Would I buy it Again?

Totally! LOVE love this product, every time I use it I find a new technique.

Summing up

Lovely stone like texture, created with texture paste

Very versatile product. Alters how paint behaves when mixed with colour. Great for adding textures and dimension to your creative projects. If you haven’t tried it yet but like dimensional effects and textures, get some, its fantastic. Because of the weight the product adds to the surface, it is best to use it on a firm support. I’ve used it mainly on Mount board, but have got away with using it on something lighter; 300 gsm, but I’m still going to mount that onto mount board for better support.

I adore textures and look forward to experimenting with a variety of tools with this paste to see if I can recreate my favorite textures in paint. If you have masks and embossing folders experiment with cardstock and paste combinations. I have now been able to use my collection of brass stencils that I haven’t had the dexterity to use before.

Really enjoying this product, its exciting and so much fun. Hope you get some soon and will share how you use this excellent product. I’ll experiment and see if painting over it will give me a good enough black, otherwise I’ll beg D.R  to make a black version of the product, as this is going to be FANTASTIC with those interference/shimmering colours they make.

Short version: Joy in a Jar!

Links

• Daler Rowney
• Acrylic mediums on Daler Rowney site.

Best wishes and thanks for reading, see you soon

Billie

Adventures in Acrylics: Online workshop

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Embossed Stone Folder

Welcome Back

Today I’d like to share a picture of a folder I created to store my sketches in. The cover features an embossed stone texture panel, which I’ll be sharing a video tutorial for, very soon.

Embossed stone book

The cover is made from mount board and has a book-cloth covered spine. This project has been quite a journey, which you will hear more about in the coming posts. I’m really pleased with how this piece turned out though.

Hope you like it too.

Best wishes and thanks for reading, see you soon

Billie

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Tutorial: How to Apply Gesso

Welcome Back

It took me a long time to try gesso, then I had no idea what to do with it. In this tutorial I’ll show you a few ways to apply it.

Daler Rowney: Gesso; White

You Will Need

• Tub of gesso
• Jar of water
• Rag
• Palette knife
• Car sponge
• Brush
• mountboard
• palette to mix on
• craft sheet

Method

Sponge

The simplest way I’ve found to apply gesso to small projects and intricate shapes is with a sponge. Pour some gesso into a bottle top. Dab a sponge into the gesso and swipe it onto your chosen surface. It dries faster if you apply a couple of thin coats rather than go for a thick coat right away. Leave to dry, how long it takes to dry depends on your room temperature and humidity.

Palette knife

Scoop up gesso and spread it onto your project. Repeated thin coats allowed to dry will dry faster than one thick application.

Brush

Apply as you did with the knife.

Don’t let gesso or any acrylic dry on your tools, if you can’t clean them immediately, place them in water. Once you have finished using them, use soap and cold water to clean off the gesso.

Options/Added Extras

Experiment with different surfaces to apply your gesso to, and different tools to apply the gesso with.

Links

• Daler Rowney

Best wishes and thanks for reading see you soon

Billie

Adventures in Acrylics: Online workshop

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Product Review: Daler-Rowney White Gesso primer

Welcome Back

In today’s post I will be reviewing; Daler Rowney Gesso

Daler Rowney: Gesso; White

Product Details

• Manufacturer/Brand; Daler Rowney/ Cryla
• Item number: 128250006
• RRP at time of writing:

Reason For Buying

I wanted to strengthen pages of a sketchbook so I could use it with acrylic paint. Also to cover over grey board/mount board and paper mache boxes for dimensional projects.

Pros/Cons

Pros

• Opaque
• Great Coverage
• Can add acrylic paint for a coloured base
• Great for collage

Cons

Not got any really. Just be aware that gesso in general does add a tooth or key to the surface. Which can make your paint and tools drag a bit over the surface. I save an old brush or use a sponge to apply gesso, to avoid wearing out my favorite brushes.

Build Quality

Excellent, great fitting lid to the pot. You can squeze small amounts out using the nozzle in the lid or unscrew the lid if you want to use a palette knife.

Value for Money

Great. I’ve had mine ages and it’s still fine.

Would I buy it Again?

Yes. I love this gesso. It covers well and didn’t dry out in the pot, despite over a year of neglect. Worth the price for a quality product.

Summing up

Great for applying a less absorbent base for acrylic paint, I’ve used it on journal pages to give the paper more weight. On paper mache boxes to cover the board. Add acrylic paint to white gesso for a coloured base. A very versatile product, I’ll show some techniques using it in the coming weeks. If you haven’t yet, do try some gesso, it’s very useful and can be a fun way to experiment with more surfaces to paint onto.

Links

• Daler Rowney

Best wishes and thanks for reading, see you soon

Billie

Adventures in Acrylics: Online workshop

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Tutorial: Brushed Metal Distress; Paint effect

Welcome Back

This is a technique that I discovered by accident when playing experimenting with my new Interference acrylic colours. This paint works best over dark colours so I created a dark background and was layering the interference colour and really liked the effect. With a little practice you can make it look like brushed metal.

Brushed Metal Paint effect, perfect for art journaling and surface decoration

You Will Need

• Winsor & Newton Galeria Acrylic Paint: Burnt Umber, Burnt Sienna
• Daler Rowney Interference acrylic colour; Shimmering Gold
• White Mount board
• Plate to mix colours on
• Two scraps of rag
• Palette knife
• Jar of water

Method

• Use the palette knife to apply a layer of Burnt Umber over the whole mount board panel, allow this layer to dry.
• With a rag apply interference gold in ‘grain direction’ as seen in the video and previously in the weathered wood tutorial. Allow this layer to dry.
• With a rag, apply some Burnt Sienna in ‘grain direction’ like you did with the gold. Burnt sienna is semi transparent and will let earlier layers show through but this will warm the colours up and tone down any areas that are looking too bright. Allow this layer to dry.
• Continue to build your layer till you have an effect that you like, if you like a darker tone go back in with some Burnt Umber with the rag to deepen some areas or perhaps create a frame to the piece.

Like with the other techniques, to get the best results it’s all about the blending. Build up the layers gradually for the best results and allow each layer to dry before you apply the next.

Options/Added Extras

Winsor & Newton Galeria is a flow formula acrylic paint, so the finished result will be flat. This makes it ideal for art journals, ATC and pieces you wish to write or stamp over. If you want a more dimensional effect use a heavy bodied acrylic paint such as Daler Rowney Cryla which will add more dimension to the piece.

Experiment with different base colours and mixes for other effects.

Links

• Daler Rowney
• Daler Rowney Shimmering Colours
• Shimmering colours at Jackson’s Art Supplies
• Winsor & Newton

Hope you have enjoyed the video and will give the technique a try, do let me know how you get on. I’d love to see what you create using this technique.

Best wishes and thanks for reading see you soon

Billie

Adventures in Acrylics: Online workshop

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Book review: A-Z of Flower Portraits by Billy Showell

Welcome Back

In today’s post I will be reviewing; Billy Showell’s book; A – Z of Flower Portraits.

A – Z of Flower Portraits Book by Billy Showell

• Title: A-Z of Watercolour Flower Portraits
• Author: Billy Showell
• Publisher: Search Press
• ISBN: 978-1-84448-452-2
• Price: £17.99 (at time of writing)

My Reason for Buying

I wanted to improve my watercolour techniques, and especially colour mixing and blending. Since sketching trips have been difficult due to health issues, I decided the garden was full of flowers and would provide me with more opportunities to sketch. I tell you this as often a review is based on how well the book lived up to the expectations of its reader, for their purpose

Contents

• Introduction
• Composition
• Materials and equipment
• Techniques
• The Flowers

Pros/Cons

Pros

• Plenty of techniques show step by step and photo descriptions at the start of the book
• Finished paintings of the subjects are shown on the individual glower section
• Colour mixes are shown next to the flowers and the colours used for the mixes are listed too
• Smaller pictures of sections of the flower at different stages are shown, which helps you see how the layers progress
• Process of the painting is described, but shortened as the description of the techniques them selves is just at the beginning.

Cons

• Haven’t got any

Value for Money

Excellent, I’ve learnt a lot from this book. It’s an excellent colour reference for new flower painters.

Would I buy it Again?

Totally. I have the hard back version and recommend you get that if you can, as this is such a useful reference book. The hard back will stay open next to you more easily than a paper back.

Summing up

Although the only ‘photographs’ are in the techniques section at the start, each flower is shown completed and very clever partially completed pictures are also shown around the page too. I like to see how the layers build up and is often several layers in, before your flower will look like Billies. There is a description of the painting process next to each flower.

This is a beautiful book, a great reference guide for techniques and colour mixes but if you are just starting out and struggle to complete a painting before you subjects wilt, then I’m also enjoying learning to paint different flower/leaf and petal shapes by copying small sections of the images in the book.

Billy is an amazing artist and an excellent teacher too. There is also a DVD available separately that shows the complete process for three flowers; a narcissi, a hellebore and an anemone. This is available from the SAA (See link on my Art tab at the top of the blog). If you have never tried this style of painting before, get the DVD as well as it helps seeing the techniques in action and reinforces the process shown in the book.

A beautiful book and extremely helpful and informative. Highly recommended for anyone interested in paining flowers in watercolour.

Links

Do visit the authors website, where you can not only purchase the book and DVD but also find out about where she teaches.

• Billy Showell website.
• SAA The Society for All Artists

Best wishes and thanks for reading, see you soon

Billie

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