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Posts Tagged ‘Daler Rowney Shimmering Colours’

Welcome Back

This week, try using Interference colours to make your basic pallet go even further. I’ll show you what they look like and what they can do for you.

Interference Colours; So many possibilites

Interference Colours; So many possibilites

Links

To find out more about interference colours, check out the link below.

Lesson 4. Introducing Interference colours

Best wishes and thanks for reading, see you soon

Billie :)

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Welcome Back

If you have ever wanted to create a vintage crackle effect for your projects, then you have come to the right place. In today’s video tutorial I’ll show you a really quick and easy way to create a crackle with a vintage look and feel. Here’s the kind of look you can achieve with this technique.

Vintage Gold Crackle. Paint Effect

Vintage Gold Crackle. Paint Effect

You Will Need

  • Jar of water
  • Black mount board or chip board painted black
  • Palette Knife
  • Piece of rag or cloth for cleaning tools
  • Small pot or lid from plastic milk bottle to mix in
  • Palette to mix colour
  • Winsor & Newton: Galeria; Modelling Paste
  • Daler Rowney Interference colour: Shimmering Gold

Method

It’s easiest to understand with the video tutorial, but given the global nature of the internet, I’ll put written instructions in as well so if English isn’t the language you use, click on the translator tab at the side of the blog for translation.

Put some modelling paste into bottle top

Mix some Shimmering gold into the modelling paste, a little at a time

Apply the modelling paset onto the mount board using the palette knife (then put the knife into water so the paste doesn’t dry on to it)

Press another piece of black or dark coloured mountboard on to the paste, move the boards around a little to create more texture.

Peel the boards appart while the paste is still wet.

Set boards aside to dry. The gold colour will be more obvious once the paste has dried. Less paste will show more colour.

Options/Added Extras

Another way to add texture is using a scrunched up plastic bag. Apply layer of paste to the board, then while the paste is still wet, dab into it using the bag. As you lift the bag off it will leave texture on the board in the paste.

You will get different effects depending on

  • How much paste you apply to the boards
  • How long you wait before applying the board/bag
  • Experiment and see what effects you can create and which you like.

Links

For links to suppliers of modelling paste and acrylic paint, please check out the Art tab at the top of the blog.

You can also use the techniques I showed previously in my earlier films, to add different texture effects to your paste

  • Faux Crackle
  • Embossed Stone Texture

Hope you give this technique a try, it would be great to add small areas of texture to projects or as surface decoration to boxes and cards. Would love to see what you create using the technique, do let me know what you create.

Best wishes and thanks for reading see you soon

Billie :)

Adventures in Acrylics: Online workshop

Adventures in Acrylics: Online workshop

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Welcome Back

This is a technique that I discovered by accident when playing experimenting with my new Interference acrylic colours. This paint works best over dark colours so I created a dark background and was layering the interference colour and really liked the effect. With a little practice you can make it look like brushed metal.

Brushed Metal Paint effect, perfect for art journalling and surface decoration

Brushed Metal Paint effect, perfect for art journaling and surface decoration

You Will Need

  • Winsor & Newton Galeria Acrylic Paint: Burnt Umber, Burnt Sienna
  • Daler Rowney Interference acrylic colour; Shimmering Gold
  • White Mount board
  • Plate to mix colours on
  • Two scraps of rag
  • Palette knife
  • Jar of water

Method

  • Use the palette knife to apply a layer of Burnt Umber over the whole mount board panel, allow this layer to dry.
  • With a rag apply interference gold in ‘grain direction’ as seen in the video and previously in the weathered wood tutorial. Allow this layer to dry.
  • With a rag, apply some Burnt Sienna in ‘grain direction’ like you did with the gold. Burnt sienna is semi transparent and will let earlier layers show through but this will warm the colours up and tone down any areas that are looking too bright. Allow this layer to dry.
  • Continue to build your layer till you have an effect that you like, if you like a darker tone go back in with some Burnt Umber with the rag to deepen some areas or perhaps create a frame to the piece.

Like with the other techniques, to get the best results it’s all about the blending. Build up the layers gradually for the best results and allow each layer to dry before you apply the next.

Options/Added Extras

Winsor & Newton Galeria is a flow formula acrylic paint, so the finished result will be flat. This makes it ideal for art journals, ATC and pieces you wish to write or stamp over. If you want a more dimensional effect use a heavy bodied acrylic paint such as Daler Rowney Cryla which will add more dimension to the piece.

Experiment with different base colours and mixes for other effects.

Links

Hope you have enjoyed the video and will give the technique a try, do let me know how you get on. I’d love to see what you create using this technique.

Best wishes and thanks for reading see you soon

Billie :)

Adventures in Acrylics: Online workshop

Adventures in Acrylics: Online workshop

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Welcome Back

Earlier this month I introduced you to Daler Rowney’s Interference colour acrylic paint. I’m still in love with this and wanted to share a few more pictures of projects I’ve created using the paint.

A selection of handmade books with Shimmering colours on the covers

A selection of handmade books with Shimmering colours on the covers

The interference colours are most impressive when used over dark colours, so these books feature black card that I embossed and then used a selection of the shimmering colours over the top. They are tricky to photograph and really pop when you see them in real life, the colours reflect the light so are even more dramatic than metallic colours. Do try some if you can, they are amazing.

Here is a close up on the textile book;

Embossed book with multi colours of interference acrylic paint

Embossed book with multi colours of interference acrylic paint

So glad I learnt some bookbinding skills, I couldn’t bear to cover up these backgrounds so used them for covers for my hand-made note books. Will be making some more of these as little Christmas gifts for friends later in the year.

Hope you like them and get to try some interference colours soon.

Best wishes and thanks for reading, see you soon

Billie :)

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Welcome Back

As part of the Adventures in Acrylics online workshop series, I’d like to share a way to spice up your existing colour palette, with the help of Interference colours. If you are a colour magpie like me, and would love all your favourite colours as metallic or interference colours, there is an affordable way to do this. In today’s tutorial I’ll share just one way to achieve this.

This is just one way to make your palette metallic and later in the series I’ll share another option.

Interference Colours; So many possibilites

Interference Colours; So many possibilities

You Will Need

Method

Options/Added Extras

  • Experiment with different coloured base surfaces
  • Experiment with the difference between mixing the interference colours with your palette and using it over the top of colours.
  • Get dimensional. Try it over embossed and textured surfaces for some stunning results.

Links

Best wishes and thanks for reading see you soon

Billie :)

Adventures in Acrylics: Online workshop

Adventures in Acrylics: Online workshop

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Welcome Back

Today I’d like to share a picture of some books I created using an embossed panel that I decorated with Daler Rowney Interference colours. This first one features, Shimmering Blue and shimmering gold interference colours.

Blue & Gold embossed book

Blue & Gold embossed book

This one features Shimmering copper and Shimmering Gold; interference colours and the Swirls; Cuttlebug embossing folder.

Embossed book with interference colours

Embossed book with interference colours

Aren’t the colours just lush! I ‘m looking forward to experimenting more with these paints, I love how they work so well with each other and over a variety of surfaces. Hope you get to try some of this paint soon, its amazing. More pics next week.

Best wishes and thanks for reading, see you soon

Billie :)

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Welcome Back

As part of the online workshop

Vintage Purple Distressed Panel

Vintage Purple Distressed Panel

You Will Need

  • Winsor & Newton Galeria Flow formula Acrylic paint: Winsor Violet
  • Daler Rowney; Shimmering Colours: Shimmering Gold
  • Cotton Rag
  • Jar of Water
  • Palette Knife
  • White Mount board
  • Plate to mix colours on

Method

  • Apply a layer of Winsor Violet to the mount board using the palette knife. Allow this layer to dry before you move on.
  • For a darker finish apply a second layer of Winsor Violet to the mount-board. If you apply the paint generously, you can also dab the flat of the knife into the paint to create additional texture. Allow this layer to dry fully before you move on.
  • Put some Gold Interference colour onto the plate. Pick up some of this colour using the rag. Dab off the excess paint on to a clean area of the paint. You only want a small amount on the cloth.
  • Swipe the rag over the board, just catching the top surface. The colour will catch on areas of texture and highlight them. While you get used to the technique, start on the sides of the board and work inwards, if you have too much paint on the cloth you will get a different effect! By starting at the edges of the board and working inwards, the excess paint will be worked off a little on the sides of the board.

Options/Added Extras

Vary how you apply the paint, for different effects. Use varying amounts of paint at each stage and experiment to discover an effect that you like. Try applying the Shimmering gold over other dark colours of card or paint to find more colour combinations you like.

Links

I hope you enjoyed this tutorial, do let me know what you think and I’d love to see your experiments with this technique.

Best wishes and thanks for reading see you soon

Billie :)

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